It’s also a good idea to clean everything before you put it back in the bag. However, on an average day in the desert, you’ll have to deal with dust and sand, which you can deal with using compressed air, for example. If you’re shooting a desert landscape during a windy day or adverse weather conditions, trying to clean your gear on the spot will be a lost battle. If this happens and you need to change anything, make sure you do it as fast as possible and cover the equipment from the wind to diminish the risk of getting sand inside the camera. So, it’s best to have a full battery and an empty memory card inside the camera(s) before you leave for the trip.Įven though changing batteries and cards is inadvisable during desert photography, it’s still good to be prepared with spares in case of any malfunction. The same advice applies here as for the lenses – it’s never a good idea to change your battery or memory cards out in the desert. This way, you eliminate the risk of moving the camera while you press the shutter. Whenever there’s a risk of camera shake, it’s always better to use a remote trigger. Most of the best DSLR tripods feature replaceable feet. Pro tip: Adding some tripod ‘shoes’ to your arsenal will certainly come in handy to avoid the tripod sinking in the sand. However, even if you plan to photograph in broad daylight, strong winds can cause camera shake – so it’s always best to use a tripod. This is often the case if you’re photographing during the first and last hours of the day – which is always advisable for landscape photography, and of course, for night photography. Wherever you stand on this issue, in the case of desert photography it’s still recommended to use one because it can protect the front of the lens from getting scratched with the sand.Īs far as technical needs, it’s a good idea to bring a polarizing filter for strong light reflections, a neutral density filter if you want to do some long exposure shots during the day, and a graduated neutral density filter for highly contrasted scenes.Ī steady tripod is key to getting sharp images if you’re using slow shutter speeds. There’s a lot of debate on whether or not a UV filter is as useful for digital cameras as it was for film cameras. However, this is a bit risky as the sand can get in the case when you zoom in and out. Or, if you can change lenses in a closed environment – like if you’re camping and can go into the tent, or you have your car close by – then you shouldn’t have any problems.įinally, you can use a zoom lens instead of prime lenses to avoid having to change them out in the field. That said, there are some alternatives that allow you to still have a variety of focal lengths available.įor example, if you have two cameras and you can bring each one with a different focal length – then, you’re good to go. Remember that changing the lens while you’re out in the desert exposes the sensor to sand, which can cause severe damage to your camera. On the other hand, a telephoto lens allows you to photograph details that are far away – which is great for capturing out-of-reach areas. The best focal length for desert photography depends on the type of images you want to capture.Ī wide-angle lens allows you to capture sweeping landscapes or interesting details close to you. If you have a second camera, it’s always a good idea to bring it with you – it can be for backup or to have a second perspective, focal length, etc. However, a full-frame camera allows you to have more detail if you plan to have your images printed on a large scale or featured in a magazine or book. You should bring the most suitable equipment to do this – and you need to make sure you’re protecting it properly.Īny DSLR or mirrorless camera is good for shooting desert landscape photography. So, once you’re there, you’ll want to make the most out of your photoshoot. The desert is usually not a close or easy thing to visit. Camera gear of landscape photography master Peter Eastway.
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